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George Frideric Handel

George Frideric Handel (1685-1759)

Nationality: German | English
Born: February 23, 1685, Halle Died: April 14, 1759, London (age 74)
wikipedia | imslp

Sonata in d minor, Op. 1, No. 9, HWV 367a

(for oboe (or violin) and continuo)
2:05 I. Largo
2:05 II. Vivace
2:14 III. Furioso
1:14 IV. Adagio
1:40 V. Alla breve
3:30 VI. (Allemande)
2:01 VII. Tempo di menuet
Duration: 15 minutes (approximately)
2 recordings, 9 videos
autoopen autoplay
2:05
Academy of St. Martin in the Fields Chamber Ensemble
I. Largo
2:05
Academy of St. Martin in the Fields Chamber Ensemble
II. Vivace
2:14
Academy of St. Martin in the Fields Chamber Ensemble
III. Furioso
1:14
Academy of St. Martin in the Fields Chamber Ensemble
IV. Adagio
1:40
Academy of St. Martin in the Fields Chamber Ensemble
V. Alla breve
3:30
Academy of St. Martin in the Fields Chamber Ensemble
VI. (Allemande)
2:01
Academy of St. Martin in the Fields Chamber Ensemble
VII. Tempo di menuet
9:29
Amarilis
(part 1 of 2)
6:07
Amarilis
(part 2 of 2)

Related Composers

Johann Mattheson
Johann Mattheson (1681-1764)
Friend/Colleague
Nationality: German
Born: September 28, 1681, Hamburg Died: April 17, 1764, Hamburg (age 82)

glossary

  • adagio [It]—slow tempo, often implying a lyrical, poignant character
  • allemande, allemanda, allemand, almain, almaine, alman—In the Renaissance/Baroque eras, a moderately slow, serious dance usually in duple meter and binary form. Often the first movement of suite. From the French word for "German." Later usage (e.g. Haydn, etc.) might suggest more generally "in a German style", e.g. a folk dance, perhaps even lively and in a triple meter like a Ländler.
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
  • di [I], d'—of, in the manner of
  • furioso [I], con furia, furio—wild, passionate, fierce, vehement
  • largo—slow, solemn, sustained.slower than lento. faster than grave
  • minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
  • tempo, tempi [pl]—speed or pace at which music progresses. Traditional classic music typically uses standard Italian words to designate the tempo, e.g. Allegro or adagio. Metronome markings provide precise numerical speeds. Tempo selection during performance is a complex artistic choice informed by composer's markings, performance tradition, technical limitations and interpretation.
  • vivace—brisk, lively tempo faster than allegro