George Onslow (1784-1853)

Nationality: French | English

Born: July 27, 1784, Clermont-Ferrand Died: October 3, 1853, Clermont-Ferrand (age 69)

wikipedia | imslp | george.onslow.online.fr

Nonet in A major, Op. 77

(for flute, oboe, clarinet, horn, bassoon, violin, viola, cello and bass)

		I.	Allegro spirituoso
		II.	Scherzo. Agitato
		III.	Tema con variazioni. Andante con moto
		IV.	Finale. Largo - Allegretto quasi Allegro

Composed: 1848 (age 63-64)

Published: 1849 (age 64-65)

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glossary

agitato, agité [F]—agitated, restless, excited
allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
finale [I], final [F]—The final movement, sometimes explicitly titled thus
largo—slow, solemn, sustained.slower than lento. faster than grave
moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
nonet, nonett [G]—group of nine, the ensemble or a composition for the ensemble
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
quasi—almost, almost like, as if
scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
spirito, con spirito, spiritoso, spirituoso—Spirited, lively
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener