George Onslow (1784-1853)

Nationality: French | English

Born: July 27, 1784, Clermont-Ferrand Died: October 3, 1853, Clermont-Ferrand (age 69)

wikipedia | imslp | george.onslow.online.fr

Piano Quintet No. 3 in B-flat major, Op. 79b

(for violin, viola, cello, bass and piano)

		I.	Allegro moderato
		II.	Scherzo. Vivace
		III.	Andante. Molto cantabile grazioso
		IV.	Finale. Allegretto

Composed: 1851 (age 66-67)

Dedication: Medemoiselle Charlotte de Malleville

Note: Arrangement of the Septet, Op.79

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Johann Baptist Cramer (1771-1858)

Teacher

Nationality: English | German

Born: February 24, 1771, Mannheim Died: April 16, 1858, London (age 87)

Jan Dussek (1760-1812)

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Born: February 12, 1760, Čáslav, Czech Republic Died: March 20, 1812, Saint Germain-en-Laye or Paris, France (age 52)

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glossary

allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
cantabile, cantate, cantando—singing, lyrical, flowing
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
finale [I], final [F]—The final movement, sometimes explicitly titled thus
grazioso [I], con grazia, gratioso, graziös [G], Mit Grazie—graceful, gracefully; easy
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
molto [It]—very much
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
piano quintet—ensemble (work) for string quartet plus piano. One of the most grand chamber music forms. For an extra rich sound, some piano quintets omit the 2nd violin and add a bass comprising the complete four-part string section of the orchestra.
quintet, quintette [F], quintett [G], quintetto [I]—an ensemble / work for 5 players, the typical examples being string quintet (with second viola or cello), piano quintet or woodwind quintet
scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
transcription, transcribe—To re-score a work for an ensemble of instruments different from the original version. Typical examples include orchestrating piano or chamber works and visa versa. Within the realm of chamber music, a work for winds might be transcribed for strings, a symphony into a string quartet, a trio featuring a clarinet substituting a viola. One interesting question is: who made the transcription, the original composer? One interesting effect is that the transcription may become favored over the original. One of the most curious transcriptions in all of chamber music is Schoenberg's "Verklärte Nacht", transcribed from string sextet to piano trio with amazing success by one of his students.
Trout Quintet, Trout Instrumentation, Piano Quintet 'Trout'—A common term for the ensemble comprising violin, viola, cello, double bass and piano, named for one of the earliest and the most famous example: Schubert's quintet nicknamed "The Trout". The term is used to distinguish it from the more standard "piano quintet" comprising string quartet and piano. For an example predating Schubert, see Hummel. explore
vivace—brisk, lively tempo faster than allegro