Géza Frid (1904-1989)
Nationality:
Dutch
|
Hungarian
Born: January 25, 1904, Máramarossziget Died: September 13, 1989, Beverwijk (age 85)
Cello Sonata, Op. 9
(for cello and piano)
| 1:43 | I. | Prélude | |
| 2:28 | II. | Tarantella | |
| 3:32 | III. | Priére | |
| 2:29 | IV. | Choral | |
| 3:35 | V. | Finale |
Duration: 14 minutes (approximately)
Composed:
1931 (age 26-27)
1 recording,
5 videos
autoopen
autoplay
1:43
Ditta Rohmann, Martin Tchiba
I.
Prélude
2:28
Ditta Rohmann, Martin Tchiba
II.
Tarantella
3:32
Ditta Rohmann, Martin Tchiba
III.
Priére
2:29
Ditta Rohmann, Martin Tchiba
IV.
Choral
3:35
Ditta Rohmann, Martin Tchiba
V.
Finale
Related Composers
Pál Hermann (1902-c.1944)
Student
Nationality:
Hungarian
Born: March 27, 1902, Buda Died: c.May 15, 1944 (age 42)
glossary
- cello sonata, sonata per violoncello [I], sonate pour violoncelle [F], Cellosonate [G]—a multi-movement work for cello and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the cello would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players. Cello Sonatas rank with Violin Sonatas as among the most "serious", numerous and important compositions for the duo sonata. Explore the cello sonata.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- chorale, choral—hymn; sacred tune; commonly, a hymn from the Protestant church
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- prelude, prélude, präludium [G], präludien [G, pl], praeludium, preludio—a movement preceding another almost by way of introduction: to let listeners and players acclimate, often to prepare for greater demands ahead
- sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki
- tarantella [I], tarantelle [F]—Southern Italian dance in a rapid 6/8 meter named for the town of Taranto and/or the tarantula spider whose bite would provoke the frenzied dance as a response or cure