Géza Frid

Géza Frid (1904-1989)

Nationality: Dutch | Hungarian
Born: January 25, 1904, Máramarossziget Died: September 13, 1989, Beverwijk (age 85)
wikipedia

Piano Trio, Op. 27

(for violin, cello and piano)
1:30 I. Introduzione
8:14 II. Fuga - Marcia - Continuazione di fuga - Scherzo - Continuazione di fuga
4:59 III. Passacaglia - Continuazione di fuga
4:04 IV. Rondo - Fine di fuga - Coda
Duration: 19 minutes (approximately)
Composed: 1947 (age 42-43)
1 recording, 4 videos
autoopen autoplay
1:30
Ditta Rohmann, Martin Tchiba, Birthe Blom
I. Introduzione
8:14
Ditta Rohmann, Martin Tchiba, Birthe Blom
II. Fuga - Marcia - Continuazione di fuga - Scherzo - Continuazione di fuga
4:59
Ditta Rohmann, Martin Tchiba, Birthe Blom
III. Passacaglia - Continuazione di fuga
4:04
Ditta Rohmann, Martin Tchiba, Birthe Blom
IV. Rondo - Fine di fuga - Coda

Related Composers

WWI WWII Pál Hermann (1902-c.1944) Géza Frid (1904-1989)
Pál Hermann
Pál Hermann (1902-c.1944)
Student
Nationality: Hungarian
Born: March 27, 1902, Buda Died: c.May 15, 1944 (age 42)

glossary

  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • coda—end (related to "tail"). The final passage or section of music. Conclusion. Typically refers to portion of music that is after the formal symmetrical ending of the piece, e.g. a sort of addendum.
  • fine [I], al fine—the end; to the end
  • fugue, fuga, fuge [G], fuguette, fugen [G,pl]—a contrapuntal procedure (form) involving a musical subject (theme) that is successively imitated by multiple overlapping voices. There is a vast canon of rules (concepts) for creating elaborate and diverse fugues with an infinite variety of character based on fairly specific parameters. Fugues (or partial fugato) are found throughout classical music from the late Renaissance to the present.
  • introduzione—introduction
  • marcia [I], alla marcia, marche [F], Marsch [G], march [E], marciale, marziale—march, in the manner of a march, e.g. duple meter at a moderate but deliberate pace in a manner which may be proud, grand, like a parade or a show of military bravado.
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • passacaglia, passacaille [F], pasacalle [S]—A variation form based on a recurring bass line or chord progression closely related to the chaconne. Of Spanish origin first appearing in the early 17th century. Some generalizations suggest a grave character, a minor key and a triple meter. wiki
  • piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
  • rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
  • scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
  • trio (1)—an ensemble or work for 3 players