Géza Frid (1904-1989)
Nationality:
Dutch
|
Hungarian
Born: January 25, 1904, Máramarossziget Died: September 13, 1989, Beverwijk (age 85)
Podium Suite, Op. 3
(for violin and piano)
| 1:37 | I. | Il primo | |
| 1:48 | II. | Capriccio | |
| 3:32 | III. | Rubato con sordino | |
| 1:30 | IV. | Intermezzo | |
| 3:35 | V. | L'ultimo |
Duration: 13 minutes (approximately)
Composed:
1928 (age 23-24)
1 recording,
5 videos
autoopen
autoplay
1:37
Birthe Blom, Martin Tchiba
I.
Il primo
1:48
Birthe Blom, Martin Tchiba
II.
Capriccio
3:32
Birthe Blom, Martin Tchiba
III.
Rubato con sordino
1:30
Birthe Blom, Martin Tchiba
IV.
Intermezzo
3:35
Birthe Blom, Martin Tchiba
V.
L'ultimo
Related Composers
Pál Hermann (1902-c.1944)
Student
Nationality:
Hungarian
Born: March 27, 1902, Buda Died: c.May 15, 1944 (age 42)
glossary
- capriccio, caprice, capriccioso, capricieux, capricieuse—a short character piece, typically in a humorous, fanciful, or playful manner. The concept juxtaposes the improvisatory free-form fantasy against the more formal, "serious" and logically "worked-out" sonata forms.Within a caprice, the range of expression may well include the serious and dark as well as demanding extraordinary technical skills such as a prelude or etude.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- intermezzo, intermedio [S], intermède [F], interlude, Entr'acte—music that is "inserted" (or "interpolated) between two musical entities of greater importance (e.g. movements, acts, verses, etc.). Often suggests music of a lighter character, entertaining contrast or even improvisation.
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- prima [I], primo—first; often used to designate a part or a return the "first" part as in "come prima", i.e. "like the first part" or "like the beginning"
- rubato—to artfully distort the rhythmic flow for expressive emphasis by slowing (speeding) the tempo around certain points of articulation. Meaning "robbed" time suggesting that a slowing must be balanced by a speeding up
- suite—a set of instrumental pieces (movements) played together to create a larger whole. Suites tend towards collections of dances, frequently in the same key, preceded by a prelude, introduction or overture.