Born: March 27, 1851, ParisDied: December 2, 1931, Paris (age 80)
glossary
adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
appassionato, passionato, passionné [F], avec passion, passionnément—passionate; ardent
assai—very much. Intensifies the direction of its neighboring words, e.g. "allegro assai", very fast
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
e [It]—and
epilogue, epilogo [I]—coda, musical conclusion, final thought; opposite of prologue
lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
molto [It]—very much
presto—very fast, more so than allegro.
quasi—almost, almost like, as if
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.