Hans Huber (1852-1921)

Nationality: Swiss

Born: June 28, 1852, Eppenburg, Solothurn Died: December 25, 1921, Locarno (age 69)

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Cello Sonata No. 3 in c-sharp minor, Op. 114

(for cello and piano)

		I.	Adagio ma non troppo
		II.	Allegretto grazioso, ma tranquillo
		III.	Allegro appassionato, ma non troppo vivace

Published: 1900 (age 47-48)

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glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
appassionato, passionato, passionné [F], avec passion, passionnément—passionate; ardent
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
grazioso [I], con grazia, gratioso, graziös [G], Mit Grazie—graceful, gracefully; easy
ma—but, however
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
tranquillo [It], tranquille [F], tranquillement—tranquil, peaceful, soft
troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much
vivace—brisk, lively tempo faster than allegro