Heitor Villa-Lobos (1887-1959)

Nationality: Brazilian

Born: March 5, 1887, Rio de Janeiro Died: November 17, 1959, Rio de Janeiro (age 72)

wikipedia | imslp

Cello Sonata No. 2, Op. 66

(for cello and piano)

		I.	Allegro moderato
		II.	Andante cantabile
		III.	Scherzo. Allegro scherzando
		III.	Allegro vivace sostentuo

Duration: 28 minutes (approximately)

Composed: 1916 (age 28-29)

Related Composers

Alberto Nepomuceno (1864-1920)

Teacher

Nationality: Brazilian

Born: July 6, 1864, Fortaleza Died: October 16, 1920, Rio de Janeiro (age 56)

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
cantabile, cantate, cantando—singing, lyrical, flowing
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
scherzando [I], scherzoso, scherzante—playfully, lively, jestingly
scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
sostenuto [I], soutenu [F]—sustained, perhaps a bit slow
vivace—brisk, lively tempo faster than allegro