Henri Marteau (1874-1934)

Nationality: French | Swedish

Born: March 31, 1874, Reims Died: October 3, 1934, Lichtenberg (age 60)

wikipedia | imslp

String Trio in f minor, Op. 12

(for violin, viola and cello)

		I.	Allegro energico
		II.	Improvisation: Grave con gran espressione
		III.	Intermezzo: Allegro molto moderato
		IV.	Finale. Tema. Allegretto scherzando [con variazioni]

Published: 1907 (age 32-33)

glossary

allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
energico, con energia, énergique [F], avec énergie [F], energisch [G]—with energy, force, vigor and power
finale [I], final [F]—The final movement, sometimes explicitly titled thus
gran [I], grandioso—great, grand
grave [I], gravement [F]—Solemn, serious, slow, ponderous
intermezzo, intermedio [S], intermède [F], interlude, Entr'acte—music that is "inserted" (or "interpolated) between two musical entities of greater importance (e.g. movements, acts, verses, etc.). Often suggests music of a lighter character, entertaining contrast or even improvisation.
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
molto [It]—very much
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
scherzando [I], scherzoso, scherzante—playfully, lively, jestingly
string trio, Streichtrio [G], Trio d'archi [I], Trio à cordes [F], Trío de cuerdas [S] —a work for three stringed instruments, most commonly violin, viola and cello. A more rarefied form than the string quartet perhaps because the texture is sparse (each instrument highly exposed) and the means more difficult for natural harmonic richness. But these become challenges and assets in the great trios. Trios almost always emphasize countrapuntal writing with each of the three players in strong relief.
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
trio (1)—an ensemble or work for 3 players