Henri Vieuxtemps (1820-1881)

Nationality: Belgian

Born: February 17, 1820, Verviers, Belgium Died: June 6, 1881, Mustapha, Algeria (age 61)

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Fantasia appassionata in g minor, Op. 35

(for violin and piano)

		I.	Allegro moderato
		II.	Largo
		III.	Finale. Saltarella – Allegro vivace

Composed: c. 1859 (age 38-39)

Published: 1859 (age 38-39)

Related Composers

Benjamin Godard (1849-1895)

Student

Nationality: French

Born: August 18, 1849, Paris Died: January 10, 1895, Cannes (age 45)

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
appassionato, passionato, passionné [F], avec passion, passionnément—passionate; ardent
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
concertante [I], concertant, concertans—in the manner of a concerto, e.g. individual instruments within the ensemble enjoy featured solos; playing against each other with brilliant display
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
fantasia, fantasy, fantazy, fantazia, phantasy, phantasie, fancy, fantasie [G], fantaisie [F] —generally, a piece of music favoring a free flight of expression over strict adherence to formal rules; suggesting an improvisational character. However, there are at least two more specific historical meanings: 1) the fantasia/fantasie/fancy of English Renaissance viol consort music and 2) Cobbett's Phantasie, an early 20th century form of single-movement chamber music inspired by the Renaissance fancy with the goal of stimulating new English chamber or "consort" music.
finale [I], final [F]—The final movement, sometimes explicitly titled thus
largo—slow, solemn, sustained.slower than lento. faster than grave
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
saltarello—a gay, sprightly, merry dance of Spanish origin dating back to the middle ages. Generally features a triple meter and a leaping dance step (saltare = to jump)
vivace—brisk, lively tempo faster than allegro