Henry Litolff (1818-1891)

Nationality: French

Born: August 7, 1818, London Died: August 5, 1891, Bois-Colombes (age 73)

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Piano Trio No. 3 in c minor, Op. 100

(for violin, cello and piano)

		I.	Allegro assai
		II.	Andante
		III.	Vivace
		IV.	Finale. Molto adagio - Allegro con brio ed appassionato

Published: (?) 1854 (age 35-36)

Dedication: Ignaz Moscheles

Related Composers

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
appassionato, passionato, passionné [F], avec passion, passionnément—passionate; ardent
assai—very much. Intensifies the direction of its neighboring words, e.g. "allegro assai", very fast
brio [I], con brio, brioso—vigor, vigorously, with fire
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
ed [It]—and
finale [I], final [F]—The final movement, sometimes explicitly titled thus
molto [It]—very much
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
trio (1)—an ensemble or work for 3 players
vivace—brisk, lively tempo faster than allegro