Leichte Serenade for String Trio in G major, Op. 32
(for violin, viola and cello)
Moderato
Published:
1889 (age 28-29)
glossary
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
leicht [G]—light, nimble, facile, agile; easy, not difficult
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
serenade, serenada, serenata [I], sérénade [F]—A suite of movements like a divertimento with similar connotations of lightheartedness, pleasure and relative calm with an emphasis on lyricism and often beginning with a march. Historically evokes the evening, outdoors, an honorific or amorous tribute, especially from a suitor to a lover in a window or balcony. The word serenade has its Latin origins the Latin word for "calm" or serene. wiki
string trio, Streichtrio [G], Trio d'archi [I], Trio à cordes [F], Trío de cuerdas [S]
—a work for three stringed instruments, most commonly violin, viola and cello. A more rarefied form than the string quartet perhaps because the texture is sparse (each instrument highly exposed) and the means more difficult for natural harmonic richness. But these become challenges and assets in the great trios. Trios almost always emphasize countrapuntal writing with each of the three players in strong relief.