Ignacy Dobrzyński (1807-1867)

Nationality: Polish

Born: February 15, 1807, Romanów, Volhynia Died: October 9, 1867, Warsaw (age 60)

wikipedia | imslp

Piano Trio in a minor, Op. 17

(for violin, cello and piano)

		I.	Allegro moderato
		II.	Scherzo
		III.	Adagio fantastico
		IV.	Rondo

Composed: 1831-1833 (age 23-26)

Related Composers

Józef Elsner (1769-1854)

Teacher

Nationality: Polish | Silesian | German

Born: June 1, 1769, Grodków [Grottkau], Silesia Died: April 18, 1854, Warsaw (age 84)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
fantastico [I]—fantastic, whimsical, capricious; in the manner of a fantasy
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
trio (1)—an ensemble or work for 3 players