Ignaz Pleyel (1757-1831)

Nationality: Austrian

Born: June 18, 1757, Ruppersthal Died: November 14, 1831, Paris (age 74)

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Sonata for Piano Trio in F major, B.437

(for violin, cello and piano)

		I.	Allegro molto
		II.	Adagio espressivo
		III.	Tema con Variazioni

Duration: 20 minutes (approximately)

Published: 1790 (age 32-33)

Related Composers

Joseph Haydn (1732-1809)

Teacher

Nationality: Austrian

Born: March 31, 1732, Rohrau, Austria Died: May 31, 1809, Vienna (age 77)

Ferdinand Fränzl (1767-1833)

Student

Nationality: German

Born: May 24, 1767, Schwetzingen Died: October 27, 1833, Mannheim (age 66)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
espressivo [It], con espressione, expressif [Fr]—expressive, with expression.with feeling
molto [It]—very much
piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener