Ignaz Pleyel (1757-1831)

Nationality: Austrian

Born: June 18, 1757, Ruppersthal Died: November 14, 1831, Paris (age 74)

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String Quintet in B-flat major, B.278

(for 2 violins, 2 violas and cello)

		I.	Allegro
		II.	Andante
		III.	Tempo di minuet

Composed: 1789 (age 31-32)

Published: 1789 (age 31-32)

Related Composers

Joseph Haydn (1732-1809)

Teacher

Nationality: Austrian

Born: March 31, 1732, Rohrau, Austria Died: May 31, 1809, Vienna (age 77)

Ferdinand Fränzl (1767-1833)

Student

Nationality: German

Born: May 24, 1767, Schwetzingen Died: October 27, 1833, Mannheim (age 66)

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
quintet, quintette [F], quintett [G], quintetto [I]—an ensemble / work for 5 players, the typical examples being string quintet (with second viola or cello), piano quintet or woodwind quintet
string quintet, quintette à cordes [F], quintetto d'archi [I], Streichquintett [G], quinteto de cuerdas [S]—ensemble (work) for 5 string players, the string quartet plus guest. The additional instrument might be a viola, cello or bass. The most common choices are named: Viola Quintet, Cello Quintet.
tempo, tempi [pl]—speed or pace at which music progresses. Traditional classic music typically uses standard Italian words to designate the tempo, e.g. Allegro or adagio. Metronome markings provide precise numerical speeds. Tempo selection during performance is a complex artistic choice informed by composer's markings, performance tradition, technical limitations and interpretation.