Scores & Links
IMSLP (score)
Sonata in D major, Op. 4, No. 6
(for cello and continuo)
| 5:43 | I. | Allegro | |
| 4:27 | II. | Adagio | |
| 4:59 | III. | Allegro assai |
Duration: 16 minutes (approximately)
Opus Title:
Op. 4, Six Sonates pour Violoncelle et Basse
Published:
after 1795 (age 45-46)
Dedication: Friedrich Wilhelm II of Prussia
1 recording,
3 videos
autoopen
autoplay
5:43
Claudio Ronco, Emanuela Vozza
I.
Allegro
4:27
Claudio Ronco, Emanuela Vozza
II.
Adagio
4:59
Claudio Ronco, Emanuela Vozza
III.
Allegro assai
Related Composers
Jean-Pierre Duport (1741-1818)
brother
Nationality:
French
Born: November 27, 1741, Paris Died: December 31, 1818, Berlin (age 77)
Martin Berteau (1691-1771)
Teacher
Nationality:
French
Born: February 2, 1691, Valenciennes Died: January 23, 1771, Angers (age 79)
Ludwig van Beethoven (1770-1827)
colleague
Nationality:
German
Baptized: December 17, 1770, Bonn Died: March 26, 1827, Vienna (age 56)
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- assai—very much. Intensifies the direction of its neighboring words, e.g. "allegro assai", very fast
- basso continuo [I], continuo, b.c., figured bass, thoroughbass, basse chifrée [F], fondement [F], basso generale [I]—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
- cello sonata, sonata per violoncello [I], sonate pour violoncelle [F], Cellosonate [G]—a multi-movement work for cello and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the cello would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players. Cello Sonatas rank with Violin Sonatas as among the most "serious", numerous and important compositions for the duo sonata. Explore the cello sonata.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki