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Outliers All Listed Works La Musique de Chambre Chamber Music. Radice Early Keyboard Trios
Jean-Philippe Rameau (1683-1764)
Nationality:
French
Baptized: September 25, 1683, Dijon Died: September 12, 1764, Paris (age 81)
Pièces de clavecin en concerts No. 5 in d minor (for violin, bass viol and harpsichord)
(for violin, bass viol and harpsichord)
| 3:53 | I. | Fugue La Forqueray | |
| 6:37 | II. | La Cupis: Rondement | |
| 2:32 | III. | La Marais: Rondement |
Duration: 12 minutes (approximately)
Published:
1741, Paris: La Veuve Boivin, M. Le Clair (age 57-58)
6 recordings,
14 videos
autoopen
autoplay
4:30
Trio Sonnerie
I.
Fugue La Forqueray
6:12
Trio Sonnerie
II.
La Cupis: Rondement
2:51
Trio Sonnerie
III.
La Marais: Rondement
1:56
Montagnana Trio
I.
Fugue La Forqueray
6:02
Montagnana Trio
II.
La Cupis: Rondement
2:19
Montagnana Trio
III.
La Marais: Rondement
8:58
Pinnock et. al. (2-3)
II.
La Cupis: Rondement
4:28
Pinnock et. al.
I.
Fugue La Forqueray
4:12
La Reverencia
I.
Fugue La Forqueray
5:50
La Reverencia
II.
La Cupis: Rondement
2:36
La Reverencia
III.
La Marais: Rondement
4:17
Il Giardino Armonico
I.
Fugue La Forqueray
6:05
Il Giardino Armonico
II.
La Cupis: Rondement
2:28
Il Giardino Armonico
III.
La Marais: Rondement
Related Composers
glossary
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- clavecin [F]—harpsichord
- fugue, fuga, fuge [G], fuguette, fugen [G,pl]—a contrapuntal procedure (form) involving a musical subject (theme) that is successively imitated by multiple overlapping voices. There is a vast canon of rules (concepts) for creating elaborate and diverse fugues with an infinite variety of character based on fairly specific parameters. Fugues (or partial fugato) are found throughout classical music from the late Renaissance to the present.
- obbligato [I], obligé [F]—required, necessary, indispensable, obligatory. For instrumentation, the part is required (vs. ad libitum). When associated with Baroque continuo parts, it requires a specific instrument. When used with a keyboard part (e.g. Bach), it may imply a literal, thoroughly written out part vs. the more usual "improvised" (e.g. realized) continuo part at the discretion of the performer.
- piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
- rondement [F]—briskly, straight, evenly
- trio (1)—an ensemble or work for 3 players
- trio sonata, sonate en trio, sonata a tre—one of the chief forms of chamber music in the Baroque era. Trio indicates three components: 2 soloists and continuo (accompaniment). Typically comprises four movements in one of many specific plans.