Joachim Raff (1822-1882)

Nationality: Swiss | German

Born: May 27, 1822, Lachen Died: June 24, 1882, Frankfurt (age 60)

wikipedia | imslp | raff.org

Violin Sonata No. 2 in A major, Op. 78

(for violin and piano)

11:01	I.	Rasch, mit Warme und Bewegnung
9:15	II.	Nicht zu langsam
6:17	III.	In raschem Zeitmass, doch nicht zu bewegt
10:06	IV.	Rasch und feurig

Duration: 37 minutes (approximately)

Composed: 1858 (age 35-36)

2 recordings, 5 videos

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autoopen autoplay

38:02

Ingolf Turban, Jascha Nemtsov

11:01

Daskalakis, Ishay

I. Rasch, mit Warme und Bewegnung

9:15

Daskalakis, Ishay

II. Nicht zu langsam

6:17

Daskalakis, Ishay

III. In raschem Zeitmass, doch nicht zu bewegt

10:06

Daskalakis, Ishay

IV. Rasch und feurig

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Born: December 18, 1860, New York, NY Died: January 23, 1908, New York, NY (age 47)

Anton Urspruch (1850-1907)

Student

Nationality: German

Born: February 17, 1850, Frankfurt am Main Died: January 11, 1907, Frankfurt am Main (age 56)

glossary

bewegt [G], mit Bewegung—with motion, animated
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
doch—but, however
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
Feuer [G], mit Feuer, feurig—(with) fire, passion, energy and spirit
langsam [G]—slow
nicht—not
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
rasch—quick
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
und [G]—and
violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.
Zeitmass [G], Zeitmaß—time, tempo, speed
zu [G]—too, to, in order to