Scores & Links
IMSLP (score)
Joaquín Turina (1882-1949)
Nationality:
Spanish
Born: December 9, 1882, Seville Died: January 14, 1949, Madrid (age 66)
Violin Sonata No. 1 in D major, Op. 51
(for violin and piano)
| 4:30 | I. | Lento - Allegro molto | |
| 4:23 | II. | Aria. Lento | |
| 4:01 | III. | Rondeau. Allegretto |
Duration: 13 minutes (approximately)
Composed:
1929 (age 46-47)
3 recordings,
9 videos
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autoplay
4:56
Roland Roberts, Miyako Hashimoto
I.
Lento - Allegro molto
4:39
Roland Roberts, Miyako Hashimoto
II.
Aria. Lento
3:55
Roland Roberts, Miyako Hashimoto
III.
Rondeau. Allegretto
4:33
Betül Soykan, Anatoly Sheludyakov
I.
Lento - Allegro molto
3:58
Betül Soykan, Anatoly Sheludyakov
II.
Aria. Lento
3:56
Betül Soykan, Anatoly Sheludyakov
III.
Rondeau. Allegretto
4:23
Alegre, Donate
I.
Lento - Allegro molto
4:36
Alegre, Donate
II.
Aria. Lento
3:44
Alegre, Donate
III.
Rondeau. Allegretto
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glossary
- Air [Fr], Air [E], Ayre [E], Aire, Aria [I]—Song. Traditionally indicates a piece of melodic or vocal nature as opposed to one of dance-like character (i.e. in form or rhythm). An aria typically refers to a formalized song within an opera context for one or more voice
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
- molto [It]—very much
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- rondeau, rondeaux—An early Baroque instrumental form featuring a recurring refrain interspersed with contrasting couplets or episodes. Eventually transformed into the Rondo of the classical period.
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.