Joaquín Turina (1882-1949)
Nationality:
Spanish
Born: December 9, 1882, Seville Died: January 14, 1949, Madrid (age 66)
Violin Sonata No. 2, Op. 82, Sonata española [Spanish]
(for violin and piano)
| 7:47 | I. | Lento - Tema y variaciones | |
| 2:27 | II. | Vivo - Andante - Vivo | |
| 5:31 | III. | Adagio - Allegro moderato |
Duration: 17 minutes (approximately)
Composed:
1934 (age 51-52)
3 recordings,
7 videos
autoopen
autoplay
8:23
Felix Ayo, Bruno Canino
I.
Lento - Tema y variaciones
2:34
Felix Ayo, Bruno Canino
II.
Vivo - Andante - Vivo
6:02
Felix Ayo, Bruno Canino
III.
Adagio - Allegro moderato
7:10
Betül Soykan, Anatoly Sheludyakov
I.
Lento - Tema y variaciones
2:20
Betül Soykan, Anatoly Sheludyakov
II.
Vivo - Andante - Vivo
5:00
Betül Soykan, Anatoly Sheludyakov
III.
Adagio - Allegro moderato
14:39
Comellas, Besses
Related Composers
Vincent d'Indy (1851-1931)
Teacher
Nationality:
French
Born: March 27, 1851, Paris Died: December 2, 1931, Paris (age 80)
Manuel de Falla (1876-1946)
colleague
Nationality:
Spanish
Born: November 23, 1876, Cádiz, Spain Died: November 14, 1946, Alta Gracia, Argentina (age 70)
Claude Debussy (1862-1918)
colleague
Nationality:
French
Born: August 22, 1862, St. Germain-en-Laye Died: March 25, 1918, Paris (age 55)
Maurice Ravel (1875-1937)
colleague
Nationality:
French
Born: March 7, 1875, Ciboure, Basses-Pyrénées Died: December 28, 1937, Paris (age 62)
Vicente Asencio (1908-1979)
Student
Nationality:
Spanish
Born: October 29, 1908, Valencia Died: April 4, 1979 (age 70)
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
- violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.
- vivo—lively, intense