Johann Albrechtsberger (1736-1809)

Nationality: Austrian

Born: February 3, 1736, Klosterneuburg Died: March 7, 1809, Vienna (age 73)

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String Quartet in G major, Op. 20, No. 1

(for 2 violins, viola and cello)

		I.	Adagio
		II.	Fuga
		III.	Menuetto - Trio
		IV.	Finale. Allegretto

Composed: 1800 (age 63-64)

Related Composers

Ferdinand Ries (1784-1838)

Student

Nationality: German

Baptized: November 28, 1784, Bonn Died: January 13, 1838, Frankfurt (age 53)

Ludwig van Beethoven (1770-1827)

Student

Nationality: German

Baptized: December 17, 1770, Bonn Died: March 26, 1827, Vienna (age 56)

Johann Hummel (1778-1837)

Student

Nationality: Austrian

Born: November 14, 1778, Pressburg (now Bratislava) Died: October 17, 1837, Weimar (age 58)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegretto—moderately quick tempo. slower than allegro but faster than andante
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
finale [I], final [F]—The final movement, sometimes explicitly titled thus
fugue, fuga, fuge [G], fuguette, fugen [G,pl]—a contrapuntal procedure (form) involving a musical subject (theme) that is successively imitated by multiple overlapping voices. There is a vast canon of rules (concepts) for creating elaborate and diverse fugues with an infinite variety of character based on fairly specific parameters. Fugues (or partial fugato) are found throughout classical music from the late Renaissance to the present.
minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
quartet, quatuor [F], quartett [G], quartetto [I], cuarteto [S]—ensemble or work for four players the most important examples being the string quartet and the piano quartet
string quartet, Streichquartett [G], quatuor à cordes [F], quartetto d'archi [I], quartetto di cordi [I], cuarteto de cuerda [S]—an ensemble as well as music written for that ensemble comprising 2 violins, viola and cello. This is one of the essential genres / forms / ensembles of chamber music and arguably a critical "core" of "classical" music.
Explore the string quartet.
trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.