Johann Pachelbel (1653-1706)

Nationality: German

Baptized: September 1, 1653, Nuremberg Burried: March 9, 1706, Nuremberg (age 52)

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Musikalische Ergötzung, Partie No. 3 in E-flat major, T333

(for 2 violins and continuo)

1:24	I.	Sonata. Allegro
1:51	II.	Allemand
1:04	III.	Courant
0:42	IV.	Gavotte
1:43	V.	Saraband
1:01	VI.	Gigue

Duration: 8 minutes (approximately)

Published: 1695 (age 41-42)

2 recordings, 2 videos

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7:21

London Baroque

8:24

L’Estravagante

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
allemande, allemanda, allemand, almain, almaine, alman—In the Renaissance/Baroque eras, a moderately slow, serious dance usually in duple meter and binary form. Often the first movement of suite. From the French word for "German." Later usage (e.g. Haydn, etc.) might suggest more generally "in a German style", e.g. a folk dance, perhaps even lively and in a triple meter like a Ländler.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
courante, corrente, courant, corant—a triple-meter Renaissance / Baroque dance with regional nuances (e.g. Italian, French)
Ergötzung [G]—delight, delectation, regale, amusement
gavotte, gavotta—Originally a French folk dance that became a courtly dance with Louis XIV and subsequently used in Baroque suites. Moderate tempo in duple rhythm often beginning on an upbeat in a pick-up measure.
gigue, jig, giga, gigg—A lively dance (of English origin); often the finale of a Baroque suite. Compound meters exhibit both duple and triple meter rhythms.
musikalische [G]—musical
partita [I], parthia, partie—originally, an instrumental piece as well as, more specifically, a variation. Eventually, a synonym for suite.
sarabande, saraband, sarabanda—A Spanish Renaissance / Baroque dance in triple meter. In France and Germany, it tended to be slow and stately.
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
suite—a set of instrumental pieces (movements) played together to create a larger whole. Suites tend towards collections of dances, frequently in the same key, preceded by a prelude, introduction or overture.
trio sonata, sonate en trio, sonata a tre—one of the chief forms of chamber music in the Baroque era. Trio indicates three components: 2 soloists and continuo (accompaniment). Typically comprises four movements in one of many specific plans.