Johann Pachelbel (1653-1706)

Nationality: German

Baptized: September 1, 1653, Nuremberg Burried: March 9, 1706, Nuremberg (age 52)

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Musikalische Ergötzung, Partie No. 5 in C major, T335

(for 2 violins and continuo)

		I.	Sonata
		II.	Aria
		III.	Trezza
		IV.	Ciacona

Duration: 6 minutes (approximately)

Published: 1695 (age 41-42)

1 recording, 1 videos

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6:33

London Baroque

glossary

Air [Fr], Air [E], Ayre [E], Aire, Aria [I]—Song. Traditionally indicates a piece of melodic or vocal nature as opposed to one of dance-like character (i.e. in form or rhythm). An aria typically refers to a formalized song within an opera context for one or more voice
chaconne, ciaconna [I], ciacona, chiacona, ciaccona, chacony—a Baroque term for a musical form comprising a series of variations over an unchanging short theme or ground base. chaconne and passacaglia are closely related if not indistinguishablewiki
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
Ergötzung [G]—delight, delectation, regale, amusement
musikalische [G]—musical
partita [I], parthia, partie—originally, an instrumental piece as well as, more specifically, a variation. Eventually, a synonym for suite.
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
suite—a set of instrumental pieces (movements) played together to create a larger whole. Suites tend towards collections of dances, frequently in the same key, preceded by a prelude, introduction or overture.
trezza [I], treza—third, e.g. third movement, possibly trio?
trio sonata, sonate en trio, sonata a tre—one of the chief forms of chamber music in the Baroque era. Trio indicates three components: 2 soloists and continuo (accompaniment). Typically comprises four movements in one of many specific plans.