Johann Pachelbel (1653-1706)
Nationality:
German
Baptized: September 1, 1653, Nuremberg Burried: March 9, 1706, Nuremberg (age 52)
Partie a 4 in G major, T339
(for violin, 2 violas, violone and continuo)
| I. | Sonatina | ||
| II. | Allemande | ||
| III. | Gavott | ||
| IV. | Courant | ||
| V. | Aria | ||
| VI. | Saraband | ||
| VII. | Gigue | ||
| VIII. | Finale |
glossary
- Air [Fr], Air [E], Ayre [E], Aire, Aria [I]—Song. Traditionally indicates a piece of melodic or vocal nature as opposed to one of dance-like character (i.e. in form or rhythm). An aria typically refers to a formalized song within an opera context for one or more voice
- allemande, allemanda, allemand, almain, almaine, alman—In the Renaissance/Baroque eras, a moderately slow, serious dance usually in duple meter and binary form. Often the first movement of suite. From the French word for "German." Later usage (e.g. Haydn, etc.) might suggest more generally "in a German style", e.g. a folk dance, perhaps even lively and in a triple meter like a Ländler.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
- courante, corrente, courant, corant—a triple-meter Renaissance / Baroque dance with regional nuances (e.g. Italian, French)
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- gavotte, gavotta—Originally a French folk dance that became a courtly dance with Louis XIV and subsequently used in Baroque suites. Moderate tempo in duple rhythm often beginning on an upbeat in a pick-up measure.
- gigue, jig, giga, gigg—A lively dance (of English origin); often the finale of a Baroque suite. Compound meters exhibit both duple and triple meter rhythms.
- partita [I], parthia, partie—originally, an instrumental piece as well as, more specifically, a variation. Eventually, a synonym for suite.
- sarabande, saraband, sarabanda, zarabanda—A Spanish Renaissance / Baroque dance in triple meter. In France and Germany, it tended to be slow and stately.
- sonatina [I], sonatine [F]—"little" sonata, typically shorter, less technically challenging, perhaps less "profound". Movements tend to minimize development sections.
- suite—a set of instrumental pieces (movements) played together to create a larger whole. Suites tend towards collections of dances, frequently in the same key, preceded by a prelude, introduction or overture.