Air [Fr], Air [E], Ayre [E], Aire, Aria [I]—Song. Traditionally indicates a piece of melodic or vocal nature as opposed to one of dance-like character (i.e. in form or rhythm). An aria typically refers to a formalized song within an opera context for one or more voice
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
finale [I], final [F]—The final movement, sometimes explicitly titled thus
gigue, jig, giga, gigg—A lively dance (of English origin); often the finale of a Baroque suite. Compound meters exhibit both duple and triple meter rhythms.
partita [I], parthia, partie—originally, an instrumental piece as well as, more specifically, a variation. Eventually, a synonym for suite.
sarabande, saraband, sarabanda—A Spanish Renaissance / Baroque dance in triple meter. In France and Germany, it tended to be slow and stately.
sonatina [I], sonatine [F]—"little" sonata, typically shorter, less technically challenging, perhaps less "profound". Movements tend to minimize development sections.
suite—a set of instrumental pieces (movements) played together to create a larger whole. Suites tend towards collections of dances, frequently in the same key, preceded by a prelude, introduction or overture.