Johann Philipp Krieger (1649-1725)

Nationality: German

Baptized: February 27, 1649, Nuremberg Died: February 6, 1725, Weissenfels (age 76)

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Baroque

18th Century

17th Century

Sonata in d minor, Op. 2, No. 2

(for violin, bass viol and continuo)

2:27	I.	Andante - Largo
3:00	II.	Presto - Largo
7:14	III.	Aria d’inventione

Duration: 13 minutes (approximately)

Published: 1693, Nürnberg (age 43-44)

17th Century

Baroque

1 recording, 3 videos

autoopen autoplay

2:27

Hippocampus

I. Andante - Largo

3:00

Hippocampus

II. Presto - Largo

7:14

Hippocampus

III. Aria d’inventione

Related Composers

glossary

Air [Fr], Air [E], Ayre [E], Aire, Aria [I]—Song. Traditionally indicates a piece of melodic or vocal nature as opposed to one of dance-like character (i.e. in form or rhythm). An aria typically refers to a formalized song within an opera context for one or more voice
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
basso continuo [I], continuo, b.c., figured bass, thoroughbass, basse chifrée [F], fondement [F], basso generale [I]—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
largo—slow, solemn, sustained.slower than lento. faster than grave
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
presto—very fast, more so than allegro.
sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki
trio (1)—an ensemble or work for 3 players
trio sonata, sonate en trio, sonata a tre—A chief form/genre of chamber music in the Baroque era. The "trio" indicates three components or parts: two soloists and a bass with continuo. Typically comprises multiple movements in a variety of layouts. Explore the trio sonata. | wiki