Johann Sebastian Bach (1685-1750)
Nationality:
German
Born: March 21, 1685, Eisenach Died: July 28, 1750, Leipzig (age 65)
Cello Suite No. 5 in c minor, BWV 1011
(for solo cello)
| 6:50 | I. | Prelude | |
| 4:57 | II. | Allemande | |
| 2:31 | III. | Courante | |
| 3:24 | IV. | Sarabande | |
| 4:58 | V. | Gavotte I - Gavotte II | |
| 2:24 | VI. | Gigue |
Duration: 24 minutes (approximately)
Composed:
c. 1720 (age 34-35)
4 recordings,
25 videos
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autoplay
6:18
Yo-Yo Ma
I.
Prelude
5:23
Yo-Yo Ma
II.
Allemande
1:57
Yo-Yo Ma
III.
Courante
3:19
Yo-Yo Ma
IV.
Sarabande
4:16
Yo-Yo Ma
V.
Gavotte I - Gavotte II
2:35
Yo-Yo Ma
VI.
Gigue
7:24
Mstislav Rostropovich
I.
Prelude
5:12
Mstislav Rostropovich
II.
Allemande
2:26
Mstislav Rostropovich
III.
Courante
3:52
Mstislav Rostropovich
IV.
Sarabande
2:47
Mstislav Rostropovich
V.
Gavotte I - Gavotte II
(part 1 of 2)
2:56
Mstislav Rostropovich
V.
Gavotte I - Gavotte II
(part 2 of 2)
2:26
Mstislav Rostropovich
VI.
Gigue
7:19
Pablo Casals
I.
Prelude
3:18
Pablo Casals
II.
Allemande
2:04
Pablo Casals
III.
Courante
2:46
Pablo Casals
IV.
Sarabande
4:30
Pablo Casals
V.
Gavotte I - Gavotte II
2:31
Pablo Casals
VI.
Gigue
5:07
Anner Bylsma
I.
Prelude
5:25
Anner Bylsma
II.
Allemande
1:50
Anner Bylsma
III.
Courante
3:14
Anner Bylsma
IV.
Sarabande
4:14
Anner Bylsma
V.
Gavotte I - Gavotte II
1:48
Anner Bylsma
VI.
Gigue
Related Composers
Johann Christoph Friedrich Bach (1732-1795)
Son
Nationality:
German
Born: June 21, 1732, Leipzig Died: January 26, 1795, Bückeburg (age 62)
Carl Philipp Emanuel Bach (1714-1788)
Son
Nationality:
German
Born: March 8, 1714, Weimar Died: December 14, 1788, Hamburg (age 74)
Johann Christian Bach (1735-1782)
Son
Nationality:
German
Born: September 5, 1735, Leipzig Died: January 1, 1782, London (age 46)
Wilhelm Friedemann Bach (1710-1784)
Son
Nationality:
German
Born: November 22, 1710, Weimar Died: July 1, 1784, Berlin (age 73)
Carl Friedrich Abel (1723-1787)
Student
Nationality:
German
Born: December 22, 1723, Cöthen Died: June 20, 1787, London (age 63)
glossary
- allemande, allemanda, allemand, almain, almaine, alman—In the Renaissance/Baroque eras, a moderately slow, serious dance usually in duple meter and binary form. Often the first movement of suite. From the French word for "German." Later usage (e.g. Haydn, etc.) might suggest more generally "in a German style", e.g. a folk dance, perhaps even lively and in a triple meter like a Ländler.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- courante, corrente, courant, corant—a triple-meter Renaissance / Baroque dance with regional nuances (e.g. Italian, French)
- gavotte, gavotta—Originally a French folk dance that became a courtly dance with Louis XIV and subsequently used in Baroque suites. Moderate tempo in duple rhythm often beginning on an upbeat in a pick-up measure.
- gigue, jig, giga, gigg—A lively dance (of English origin); often the finale of a Baroque suite. Compound meters exhibit both duple and triple meter rhythms.
- prelude, prélude, präludium [G], präludien [G, pl], praeludium, preludio—a movement preceding another almost by way of introduction: to let listeners and players acclimate, often to prepare for greater demands ahead
- sarabande, saraband, sarabanda—A Spanish Renaissance / Baroque dance in triple meter. In France and Germany, it tended to be slow and stately.
- solo—a piece or section of a piece featuring a single instrumental part. Often, this implies one instrument alone but may indicate a soloist with accompaniment (e.g. continuo) especially in a section within a larger work for ensemble
- suite—a set of instrumental pieces (movements) played together to create a larger whole. Suites tend towards collections of dances, frequently in the same key, preceded by a prelude, introduction or overture.