Johann Sebastian Bach (1685-1750)
Nationality:
German
Born: March 21, 1685, Eisenach Died: July 28, 1750, Leipzig (age 65)
Sonata No. 3 in E major, BWV 1016
(for obbligato harpsichord and violin)
| 4:39 | I. | Adagio | |
| 3:03 | II. | Allegro | |
| 5:06 | III. | Adagio ma non tanto | |
| 4:00 | IV. | Allegro |
Duration: 17 minutes (approximately)
Composed:
1717-1723 (age 31-38)
5 recordings,
18 videos
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autoplay
4:15
Podger, Pinnock
I.
Adagio
2:58
Podger, Pinnock
II.
Allegro
4:52
Podger, Pinnock
III.
Adagio ma non tanto
3:55
Podger, Pinnock
IV.
Allegro
3:53
Holloway, Moroney
I.
Adagio
3:11
Holloway, Moroney
II.
Allegro
4:49
Holloway, Moroney
III.
Adagio ma non tanto
4:03
Holloway, Moroney
IV.
Allegro
4:17
Demeterová, Lukšaité-Mrázková
I.
Adagio
2:55
Demeterová, Lukšaité-Mrázková
II.
Allegro
4:44
Demeterová, Lukšaité-Mrázková
III.
Adagio ma non tanto
3:48
Demeterová, Lukšaité-Mrázková
IV.
Allegro
5:52
Yehudi and Hephzibah Menuhin
I.
Adagio
3:00
Yehudi and Hephzibah Menuhin
II.
Allegro
4:51
Yehudi and Hephzibah Menuhin
III.
Adagio ma non tanto
3:42
Yehudi and Hephzibah Menuhin
IV.
Allegro
6:44
Goebel, Hill
(part 1)
8:33
Goebel, Hill
(part 2)
Related Composers
Johann Christoph Friedrich Bach (1732-1795)
Son
Nationality:
German
Born: June 21, 1732, Leipzig Died: January 26, 1795, Bückeburg (age 62)
Carl Philipp Emanuel Bach (1714-1788)
Son
Nationality:
German
Born: March 8, 1714, Weimar Died: December 14, 1788, Hamburg (age 74)
Johann Christian Bach (1735-1782)
Son
Nationality:
German
Born: September 5, 1735, Leipzig Died: January 1, 1782, London (age 46)
Wilhelm Friedemann Bach (1710-1784)
Son
Nationality:
German
Born: November 22, 1710, Weimar Died: July 1, 1784, Berlin (age 73)
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- ma—but, however
- obbligato [I], obligé [F]—required, necessary, indispensable, obligatory. For instrumentation, the part is required (vs. ad libitum). When associated with Baroque continuo parts, it requires a specific instrument. When used with a keyboard part (e.g. Bach), it may imply a literal, thoroughly written out part vs. the more usual "improvised" (e.g. realized) continuo part at the discretion of the performer.
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- tanto [I], non tanto—much, as much, so much, e.g. allegro ma non tanto: fast but not too much
- trio sonata, sonate en trio, sonata a tre—one of the chief forms of chamber music in the Baroque era. Trio indicates three components: 2 soloists and continuo (accompaniment). Typically comprises four movements in one of many specific plans.