José White Lafitte (1836-c.1918)

Nationality: Cuban | Afro-Cuban

Born: January 17, 1836, Matanzas Died: c.March 12, 1918, Paris (age 82)

wikipedia | imslp

Étude, Op. 13, Six Études, No. 5, Allegro ma non troppo

(for solo violin)

Published: 1869 (age 32-33)

Dedication: A Monsieur Leonard

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
etude, étude [F]—instrumental music, typically for a soloist, that explores a particular technical feature as a demanding exercise ranging from pedagogical to virtuoso showcase. Many etudes are musical milestones of fine art
ma—but, however
non—not, no
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
solo—a piece or section of a piece featuring a single instrumental part. Often, this implies one instrument alone but may indicate a soloist with accompaniment (e.g. continuo) especially in a section within a larger work for ensemble
troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much