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IMSLP (score)
Josef Rheinberger (1839-1901)
Nationality:
German
Born: March 17, 1839, Vaduz, Liechtenstein Died: November 25, 1901, Munich (age 62)
Horn Sonata in E-flat major, Op. 178
(for horn and piano)
| 10:00 | I. | Con moto | |
| 6:21 | II. | Quasi adagio | |
| 6:14 | III. | Con fuoco |
Duration: 23 minutes (approximately)
Composed:
1894 (age 54-55)
Published:
1894, Leipzig: Fr. Kistner (age 54-55)
3 recordings,
9 videos
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autoplay
9:55
Barry Tuckwell, Daniel Blumenthal
I.
Con moto
5:42
Barry Tuckwell, Daniel Blumenthal
II.
Quasi adagio
6:07
Barry Tuckwell, Daniel Blumenthal
III.
Con fuoco
10:05
Paul Van Zelm, Leo Van Doeselaar
I.
Con moto
6:41
Paul Van Zelm, Leo Van Doeselaar
II.
Quasi adagio
6:24
Paul Van Zelm, Leo Van Doeselaar
III.
Con fuoco
9:59
Bernhard Krug, Horst Göbel
I.
Con moto
6:41
Bernhard Krug, Horst Göbel
II.
Quasi adagio
6:11
Bernhard Krug, Horst Göbel
III.
Con fuoco
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- fuoco, con fuoco, avec feu [Fr], mit Feuer [G], feurig [G]—fire, fiery; passionately, burning energy and excitement; impetuously
- moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- quasi—almost, almost like, as if
- sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki