Joseph Eybler (1765-1846)

Nationality: Austrian

Born: February 8, 1765, Schwechat Died: July 24, 1846, Vienna (age 81)

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String Quartet in D major, Op. 1, No. 1

(for 2 violins, viola and cello)

8:33	I.	Adagio non molto - Allegro moderato
3:07	II.	Menuetto. Allegro - Trio
5:42	III.	Adagio
6:53	IV.	Moderato. Tema con variazioni

Duration: 24 minutes (approximately)

Published: 1794 (age 28-29)

1 recording, 4 videos

autoopen autoplay

8:33

Eybler Quartet

I. Adagio non molto - Allegro moderato

3:07

Eybler Quartet

II. Menuetto. Allegro - Trio

5:42

Eybler Quartet

III. Adagio

6:53

Eybler Quartet

IV. Moderato. Tema con variazioni

Related Composers

Johann Albrechtsberger (1736-1809)

Teacher

Nationality: Austrian

Born: February 3, 1736, Klosterneuburg Died: March 7, 1809, Vienna (age 73)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
molto [It]—very much
non—not, no
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
quartet, quatuor [F], quartett [G], quartetto [I], cuarteto [S]—ensemble or work for four players the most important examples being the string quartet and the piano quartet
string quartet, Streichquartett [G], quatuor à cordes [F], quartetto d'archi [I], quartetto di cordi [I], cuarteto de cuerda [S]—an ensemble as well as music written for that ensemble comprising 2 violins, viola and cello. This is one of the essential genres / forms / ensembles of chamber music and arguably a critical "core" of "classical" music.
Explore the string quartet.
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.