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IMSLP (score)
Joseph Haydn (1732-1809)
Nationality:
Austrian
Born: March 31, 1732, Rohrau, Austria Died: May 31, 1809, Vienna (age 77)
Piano Trio No. 39 in G major, Op. 82, No. 2, Hob. XV:25, "Gypsy [Rondo]"
(for violin, cello and piano)
| 6:28 | I. | Andante | |
| 5:22 | II. | Poco adagio. Cantabile | |
| 3:21 | III. | Rondo all'Ongarese. Presto |
Duration: 16 minutes (approximately)
Composed:
1795 (age 62-63)
Published:
1795, London: Longman & Broderip (as Op.73) (age 62-63)
Dedication: Rebecca Schroeter
7 recordings,
19 videos
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6:27
Vienna Piano Trio
I.
Andante
5:15
Vienna Piano Trio
II.
Poco adagio. Cantabile
3:17
Vienna Piano Trio
III.
Rondo all'Ongarese. Presto
6:43
Munich Piano Trio
I.
Andante
5:44
Munich Piano Trio
II.
Poco adagio. Cantabile
3:41
Munich Piano Trio
III.
Rondo all'Ongarese. Presto
6:03
Kungsbacka Piano Trio
I.
Andante
5:19
Kungsbacka Piano Trio
II.
Poco adagio. Cantabile
3:27
Kungsbacka Piano Trio
III.
Rondo all'Ongarese. Presto
6:10
Van Swieten Trio
I.
Andante
4:08
Van Swieten Trio
II.
Poco adagio. Cantabile
3:35
Van Swieten Trio
III.
Rondo all'Ongarese. Presto
6:32
Eistenstadt Haydn Trio
I.
Andante
4:21
Eistenstadt Haydn Trio
II.
Poco adagio. Cantabile
3:22
Eistenstadt Haydn Trio
III.
Rondo all'Ongarese. Presto
6:14
Fortuna Piano Trio
I.
Andante
5:03
Fortuna Piano Trio
II.
Poco adagio. Cantabile
2:56
Fortuna Piano Trio
III.
Rondo all'Ongarese. Presto
16:12
ATOS Trio
Related Composers
Michael Haydn (1737-1806)
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Peter Hänsel (1770-1831)
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Ignaz Pleyel (1757-1831)
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Johann Hummel (1778-1837)
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Emanuel Aloys Förster (1748-1823)
Friend/Colleague
Nationality:
Austrian
|
Bohemian
Born: January 26, 1748, Niederstaina Died: November 12, 1823, Vienna (age 75)
Paul Wranitzky (1756-1808)
Friend/Colleague
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- cantabile, cantate, cantando—singing, lyrical, flowing
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- ongarese [I], ungherese, ungarese—Hungarian. Often used to mean "Gypsy" or in the "Gypsy style" after the manner of the verbunkos recruiting dance(s) or the related, later csárdás dance(s), both of which represent an amalgam of folk and popular origins and styles often played most famously by Gypsy (i.e. Romani) bands or leading musicians, e.g. János Bihari.
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
- poco, un poco, poco a poco—a little bit, e.g. "andante un poco moto" is andante with a little more motion than typical. "poco a poco" means a little bit at a time, gradually.
- presto—very fast, more so than allegro.
- rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
- tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
- trio (1)—an ensemble or work for 3 players