Joseph Haydn (1732-1809)
Nationality:
Austrian
Born: March 31, 1732, Rohrau, Austria Died: May 31, 1809, Vienna (age 77)
Piano Trio No. 22 in A major, Op. 27, No. 1, Hob. XV:9
(for violin, cello and piano)
| 6:47 | I. | Adagio | |
| 5:47 | II. | Vivace |
Duration: 13 minutes (approximately)
Composed:
1785 (age 52-53)
Published:
1785, London: William Forster (age 52-53)
Note: Three sonatas for the harpsichord or piano-forte with an accompanyment for a violin & violoncello
6 recordings,
12 videos
autoopen
autoplay
6:49
Mendelssohn Piano Trio
I.
Adagio
4:50
Mendelssohn Piano Trio
II.
Vivace
8:41
Beaux Arts Trio
I.
Adagio
5:31
Beaux Arts Trio
II.
Vivace
6:49
Bartolozzi Trio
I.
Adagio
5:14
Bartolozzi Trio
II.
Vivace
6:40
Andrew Manze, Jaap ter Linden, Tini Mathot
I.
Adagio
5:25
Andrew Manze, Jaap ter Linden, Tini Mathot
II.
Vivace
5:47
Haydn Trio Eisenstadt
I.
Adagio
4:52
Haydn Trio Eisenstadt
II.
Vivace
6:43
Van Swieten Trio
I.
Adagio
5:13
Van Swieten Trio
II.
Vivace
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|
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glossary
- accompanied sonata—A unique genre of chamber music (c. 1735-1835, Newman) written primarily for keyboard (harpsichord or piano) with optional (ad libitum) or relatively basic (doubling keyboard part or independent but simple parts) "accompaniment" by such instruments as violin, flute, cello, etc. Originally intended for skilled keyboardist optionally joined by Royal, domestic or otherwise amateur players. Often designated by titles like "Sonata en trio" or "en quatuor" with "ad libitum" or inferred by time period and the nature of the parts. Distinguished from older sonatas using basso continuo, those using terms like "obbligato" or "true" chamber music from the Classical era forward.
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- trio (1)—an ensemble or work for 3 players
- vivace—brisk, lively tempo faster than allegro