Joseph Haydn (1732-1809)
Nationality:
Austrian
Born: March 31, 1732, Rohrau, Austria Died: May 31, 1809, Vienna (age 77)
String Quartet in E-flat major, Op. 20, "Sun", No. 1, Hob.III:31
(for 2 violins, viola and cello)
| 8:32 | I. | Allegro moderato | |
| 3:55 | II. | Menuetto. Allegretto - Trio | |
| 6:43 | III. | Affetuoso e sostenuto | |
| 3:41 | IV. | Finale. Presto |
Duration: 23 minutes (approximately)
Composed:
1772 (age 39-40)
Published:
1774, Paris: La Chevardière (age 41-42)
Dedication: Prince Nikolaus Zmeskall von Domanovecz
Note: Sonnenquartette, Sonnen-quartette
10 recordings,
37 videos
autoopen
autoplay
9:58
Auryn Quartet
I.
Allegro moderato
3:43
Auryn Quartet
II.
Menuetto. Allegretto - Trio
8:17
Auryn Quartet
III.
Affetuoso e sostenuto
4:18
Auryn Quartet
IV.
Finale. Presto
10:05
St. Lawrence String Quartet
I.
Allegro moderato
4:11
St. Lawrence String Quartet
II.
Menuetto. Allegretto - Trio
9:26
St. Lawrence String Quartet
III.
Affetuoso e sostenuto
4:06
St. Lawrence String Quartet
IV.
Finale. Presto
5:56
Hagen Quartet
I.
Allegro moderato
3:48
Hagen Quartet
II.
Menuetto. Allegretto - Trio
5:05
Hagen Quartet
III.
Affetuoso e sostenuto
2:22
Hagen Quartet
IV.
Finale. Presto
7:22
Tátrai Quartet
I.
Allegro moderato
3:51
Tátrai Quartet
II.
Menuetto. Allegretto - Trio
6:31
Tátrai Quartet
III.
Affetuoso e sostenuto
4:07
Tátrai Quartet
IV.
Finale. Presto
10:00
Quatuor Mosaïques
I.
Allegro moderato
4:09
Quatuor Mosaïques
II.
Menuetto. Allegretto - Trio
7:20
Quatuor Mosaïques
III.
Affetuoso e sostenuto
4:09
Quatuor Mosaïques
IV.
Finale. Presto
7:08
Schneider Quartet
I.
Allegro moderato
3:54
Schneider Quartet
II.
Menuetto. Allegretto - Trio
5:45
Schneider Quartet
III.
Affetuoso e sostenuto
4:13
Schneider Quartet
IV.
Finale. Presto
9:23
Medici Quartet
I.
Allegro moderato
3:27
Medici Quartet
II.
Menuetto. Allegretto - Trio
5:02
Medici Quartet
III.
Affetuoso e sostenuto
4:21
Medici Quartet
IV.
Finale. Presto
8:37
Kodály Quartet
I.
Allegro moderato
4:03
Kodály Quartet
II.
Menuetto. Allegretto - Trio
6:27
Kodály Quartet
III.
Affetuoso e sostenuto
2:57
Kodály Quartet
IV.
Finale. Presto
25:18
Quatuor Mosaïques (complete)
7:20
Attacca Quartet
I.
Allegro moderato
3:56
Attacca Quartet
II.
Menuetto. Allegretto - Trio
7:06
Attacca Quartet
III.
Affetuoso e sostenuto
2:58
Attacca Quartet
IV.
Finale. Presto
Related Composers
Michael Haydn (1737-1806)
brother
Nationality:
Austrian
Baptized: September 14, 1737, Rohrau Died: August 10, 1806, Salzburg (age 68)
Ludwig van Beethoven (1770-1827)
Student
Nationality:
German
Baptized: December 17, 1770, Bonn Died: March 26, 1827, Vienna (age 56)
Wolfgang Amadeus Mozart (1756-1791)
colleague
Nationality:
Austrian
Born: January 27, 1756, Salzburg Died: December 5, 1791, Vienna (age 35)
Peter Hänsel (1770-1831)
Student
Nationality:
German
Born: November 29, 1770, Leppe Died: September 18, 1831, Vienna (age 60)
Ignaz Pleyel (1757-1831)
Student
Nationality:
Austrian
Born: June 18, 1757, Ruppersthal Died: November 14, 1831, Paris (age 74)
Johann Hummel (1778-1837)
Student
Nationality:
Austrian
Born: November 14, 1778, Pressburg (now Bratislava) Died: October 17, 1837, Weimar (age 58)
Emanuel Aloys Förster (1748-1823)
Friend/Colleague
Nationality:
Austrian
|
Bohemian
Born: January 26, 1748, Niederstaina Died: November 12, 1823, Vienna (age 75)
Paul Wranitzky (1756-1808)
Friend/Colleague
Nationality:
Moravian
|
Czech
Born: December 30, 1756, Nová Říše, Moravia Died: September 29, 1808, Vienna (age 51)
Franciszek Lessel (1780-1838)
Student
Nationality:
Polish
Born: 1780, Warsaw Died: December 26, 1838, Piotrków Trybunalski (age 58)
glossary
- affettuoso—tenderly, with feeling
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- e [It]—and
- minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- presto—very fast, more so than allegro.
- quartet, quatuor [F], quartett [G], quartetto [I], cuarteto [S]—ensemble or work for four players the most important examples being the string quartet and the piano quartet
- sostenuto [I], soutenu [F]—sustained, perhaps a bit slow
-
string quartet, Streichquartett [G], quatuor à cordes [F], quartetto d'archi [I], quartetto di cordi [I], cuarteto de cuerda [S]—an ensemble as well as music written for that ensemble comprising 2 violins, viola and cello. This is one of the essential genres / forms / ensembles of chamber music and arguably a critical "core" of "classical" music.
Explore the string quartet. - trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.