Julius Weismann (1879-1950)

Nationality: German

Born: December 26, 1879, Freiburg Died: December 22, 1950, Singen am Hohentweil, Lake Constance (age 71)

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String Trio, Op. 157a

(for violin, viola and cello)

		I.	Allegro moderato
		II.	Scherzo. Molto vivace
		III.	Lento solenno
		IV.	Fuga

Published: 1950 (age 70-71)

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Josef Rheinberger (1839-1901)

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Nationality: German

Born: March 17, 1839, Vaduz, Liechtenstein Died: November 25, 1901, Munich (age 62)

Ludwig Thuille (1861-1907)

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Born: November 30, 1861, Bozen Died: February 5, 1907, Munich (age 45)

Heinrich Herzogenberg (1843-1900)

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Born: June 10, 1843, Graz Died: October 9, 1900, Wiesbaden (age 57)

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
fugue, fuga, fuge [G], fuguette, fugen [G,pl]—a contrapuntal procedure (form) involving a musical subject (theme) that is successively imitated by multiple overlapping voices. There is a vast canon of rules (concepts) for creating elaborate and diverse fugues with an infinite variety of character based on fairly specific parameters. Fugues (or partial fugato) are found throughout classical music from the late Renaissance to the present.
lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
molto [It]—very much
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
string trio, Streichtrio [G], Trio d'archi [I], Trio à cordes [F], Trío de cuerdas [S] —a work for three stringed instruments, most commonly violin, viola and cello. A more rarefied form than the string quartet perhaps because the texture is sparse (each instrument highly exposed) and the means more difficult for natural harmonic richness. But these become challenges and assets in the great trios. Trios almost always emphasize countrapuntal writing with each of the three players in strong relief.
trio (1)—an ensemble or work for 3 players
vivace—brisk, lively tempo faster than allegro