Cello Sonata No. 1, Op. 62
(for cello and piano)
| 8:11 | I. | Misterioso | |
| 5:22 | II. | Furioso | |
| 15:04 | III. | Con moto |
Duration: 29 minutes (approximately)
Composed:
1983 (age 39-40)
1 recording,
3 videos
autoopen
autoplay
8:11
Evva Mizerska, Katarzyna Glensk
I.
Misterioso
5:22
Evva Mizerska, Katarzyna Glensk
II.
Furioso
15:04
Evva Mizerska, Katarzyna Glensk
III.
Con moto
Related Composers
Krzysztof Penderecki (1933-2020)
Teacher
Nationality:
Polish
Born: November 23, 1933, Dębica Died: March 29, 2020 (age 86)
Witold Lutosławski (1913-1994)
Teacher
Nationality:
Polish
Born: January 25, 1913, Warsaw Died: February 6, 1994, Warsaw (age 81)
Nadia Boulanger (1887-1979)
Teacher
Nationality:
French
Born: September 16, 1887, Paris Died: October 22, 1979, Paris (age 92)
glossary
- cello sonata, sonata per violoncello [I], sonate pour violoncelle [F], Cellosonate [G]—a multi-movement work for cello and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the cello would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players. Cello Sonatas rank with Violin Sonatas as among the most "serious", numerous and important compositions for the duo sonata. Explore the cello sonata.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- furioso [I], con furia, furio—wild, passionate, fierce, vehement
- misterioso [I]—mysterious, secretive, enigmatic
- moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki