adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
appassionato, passionato, passionné [F], avec passion, passionnément—passionate; ardent
assai—very much. Intensifies the direction of its neighboring words, e.g. "allegro assai", very fast
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
espressivo [It], con espressione, expressif [Fr]—expressive, with expression.with feeling
finale [I], final [F]—The final movement, sometimes explicitly titled thus
string trio, Streichtrio [G], Trio d'archi [I], Trio de cordes [F], Trío de cuerdas [S]
—a work for three stringed instruments, most commonly violin, viola and cello. A more rarefied form than the string quartet perhaps because the texture is sparse (each instrument highly exposed) and the means more difficult for natural harmonic richness. But these become challenges and assets in the great trios. Trios almost always emphasize countrapuntal writing with each of the three players in strong relief.