László Lajtha (1892-1963)
Nationality:
Hungarian
Born: June 30, 1892, Budapest Died: February 16, 1963, Budapest (age 70)
Sonate en concert, Op. 64
(for flute and piano)
| 7:07 | I. | Entrée avec deux cadences | |
| 6:22 | II. | Berceuse nostalgique | |
| 4:49 | III. | Menuet mélancolique | |
| 5:30 | IV. | Final gai |
Duration: 24 minutes (approximately)
Composed:
1958 (age 65-66)
2 recordings,
8 videos
autoopen
autoplay
6:49
István Matuz, Júlia Szilvásy, Katalin Vas
I.
Entrée avec deux cadences
5:32
István Matuz, Júlia Szilvásy, Katalin Vas
II.
Berceuse nostalgique
4:36
István Matuz, Júlia Szilvásy, Katalin Vas
III.
Menuet mélancolique
5:34
István Matuz, Júlia Szilvásy, Katalin Vas
IV.
Final gai
7:24
Gergely Ittzés, Péter Nagy
I.
Entrée avec deux cadences
7:12
Gergely Ittzés, Péter Nagy
II.
Berceuse nostalgique
5:02
Gergely Ittzés, Péter Nagy
III.
Menuet mélancolique
5:26
Gergely Ittzés, Péter Nagy
IV.
Final gai
Related Composers
Vincent d'Indy (1851-1931)
Teacher
Nationality:
French
Born: March 27, 1851, Paris Died: December 2, 1931, Paris (age 80)
glossary
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- deux [F]—two
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- entrata [I], entrée {f]—entrance, introduction, prelude
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- gaiement [F], gai, gaie, gaîment, avec gaîté, avec gaieté, gayment—merry, cheerful, gay
- melancolia, con melancolia, Maliconia, con maliconia, maliconico, melancolique [F]—melancholy, gloomy
- minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.