Lennox Berkeley (1903-1989)
Nationality:
English
Born: May 12, 1903, Sunningwell Plains Died: December 26, 1989, London (age 86)
Andantino, Op. 21, No. 2a
(for cello and piano)
Composed:
1945 (age 41-42)
Related Composers
Brian Ferneyhough (born 1943)
Student
Nationality:
English
Born: January 16, 1943, Coventry (age 82)
Nadia Boulanger (1887-1979)
Teacher
Nationality:
French
Born: September 16, 1887, Paris Died: October 22, 1979, Paris (age 92)
Maurice Ravel (1875-1937)
Teacher
Nationality:
French
Born: March 7, 1875, Ciboure, Basses-Pyrénées Died: December 28, 1937, Paris (age 62)
glossary
- andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- transcription, transcribe—To re-score a work for an ensemble of instruments different from the original version. Typical examples include orchestrating piano or chamber works and visa versa. Within the realm of chamber music, a work for winds might be transcribed for strings, a symphony into a string quartet, a trio featuring a clarinet substituting a viola. One interesting question is: who made the transcription, the original composer? One interesting effect is that the transcription may become favored over the original. One of the most curious transcriptions in all of chamber music is Schoenberg's "Verklärte Nacht", transcribed from string sextet to piano trio with amazing success by one of his students.