Leo Ornstein (1893-2002)

Nationality: American | Ukrainian

Born: December 2, 1893, Kremenchug, Ukraine Died: February 24, 2002, Green Bay, WI (age 108)

wikipedia | leoornstein.net

Cello Sonata, Op. 52, No. 1, SO 612

(for cello and piano)

8:23	I.	Allegro appassionato
6:40	II.	Andante sostenuto
4:45	III.	Scherzo. Vivo, ma non troppo
7:21	IV.	Moderato (con moto)

Duration: 26 minutes (approximately)

Composed: c. 1915-1918 (age 21-25)

1 recording, 4 videos

autoopen autoplay

8:23

Hampton, Schwartz

I. Allegro appassionato

6:40

Hampton, Schwartz

II. Andante sostenuto

4:45

Hampton, Schwartz

III. Scherzo. Vivo, ma non troppo

7:21

Hampton, Schwartz

IV. Moderato (con moto)

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
appassionato, passionato, passionné [F], avec passion, passionnément—passionate; ardent
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
ma—but, however
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki
sostenuto [I], soutenu [F]—sustained, perhaps a bit slow
troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much
vivo—lively, intense