Louis-Emmanuel Jadin (1768-1853)

Nationality: French

Born: September 21, 1768, Versailles Died: April 11, 1853, Paris (age 84)

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Sonate in A major, Op. 13, No. 2

(for piano with accompaniment by flute or violin and bass)

7:08	I.	Moderato
4:04	II.	Andante
5:11	III.	Rondeau

Duration: 17 minutes (approximately)

Dedication: Johann Baptist Cramer

1 recording, 3 videos

autoopen autoplay

7:08

Bertrand Giraud, Frederic Chatoux

I. Moderato

4:04

Bertrand Giraud, Frederic Chatoux

II. Andante

5:11

Bertrand Giraud, Frederic Chatoux

III. Rondeau

glossary

-issimo [I]—An ending used to form a superlative meaning "very", "extremely", "the most". E.g. presto = fast, prestissimo = extremely fast
accompanied sonata—A unique genre of chamber music (c. 1735-1835, Newman) written primarily for keyboard (harpsichord or piano) with optional (ad libitum) or relatively basic (doubling keyboard part or independent but simple parts) "accompaniment" by such instruments as violin, flute, cello, etc. Originally intended for skilled keyboardist optionally joined by Royal, domestic or otherwise amateur players. Often designated by titles like "Sonata en trio" or "en quatuor" with "ad libitum" or inferred by time period and the nature of the parts. Distinguished from older sonatas using basso continuo, those using terms like "obbligato" or "true" chamber music from the Classical era forward.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
rondeau, rondeaux—An early Baroque instrumental form featuring a recurring refrain interspersed with contrasting couplets or episodes. Eventually transformed into the Rondo of the classical period.
sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki
trio (1)—an ensemble or work for 3 players