Born: February 12, 1760, Čáslav, Czech RepublicDied: March 20, 1812, Saint Germain-en-Laye or Paris, France (age 52)
glossary
andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
assai—very much. Intensifies the direction of its neighboring words, e.g. "allegro assai", very fast
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
ed [It]—and
larghetto—slow, but a bit faster than largo
nocturne [F], notturno [I], nocturno, Nachtstück [G]—Night music. A romantic character piece depicting moods of the evening or night: quiet, reflective, perhaps romance and melancholy or even restlessness and fantasy. The most famous nocturnes come originally from the piano literature, e.g. John Field and Chopin, et. al.
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
presto—very fast, more so than allegro.
quintet, quintette [F], quintett [G], quintetto [I]—an ensemble / work for 5 players, the typical examples being string quintet (with second viola or cello), piano quintet or woodwind quintet
septet, septuor [F], septett[G]—seven; ensemble (or work) for seven players