Ludvig Norman (1831-1885)
Nationality:
Swedish
Born: August 28, 1831, Stockholm Died: March 28, 1885, Stockholm (age 53)
Cello Sonata in D major, Op. 28
(for cello and piano)
| 8:22 | I. | Andantino con moto - Allegro con brio | |
| 5:12 | II. | Allegretto grazioso | |
| 6:17 | III. | Larghetto | |
| 7:11 | IV. | Finale. Allegro con fuoco |
Duration: 27 minutes (approximately)
Composed:
1867 (age 35-36)
1 recording,
4 videos
autoopen
autoplay
8:22
Mats Lidstrom, Bengt Forsberg
I.
Andantino con moto - Allegro con brio
5:12
Mats Lidstrom, Bengt Forsberg
II.
Allegretto grazioso
6:16
Mats Lidstrom, Bengt Forsberg
III.
Larghetto
7:11
Mats Lidstrom, Bengt Forsberg
IV.
Finale. Allegro con fuoco
Related Composers
Robert Schumann (1810-1856)
Teacher
Nationality:
German
Born: June 8, 1810, Zwickau, Saxony Died: July 29, 1856, Endenich, near Bonn (age 46)
Laura Valborg Aulin (1860-1928)
Student
Nationality:
Swedish
Born: January 9, 1860, Gävle Died: January 11, 1928, Örebro (age 68)
Elfrida Andrée (1841-1929)
Student
Nationality:
Swedish
Born: February 19, 1841, Visby Died: January 11, 1929, Göteborg (age 87)
glossary
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
- brio [I], con brio, brioso—vigor, vigorously, with fire
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- fuoco, con fuoco, avec feu [Fr], mit Feuer [G], feurig [G]—fire, fiery; passionately, burning energy and excitement; impetuously
- grazioso [I], con grazia, gratioso, graziös [G], Mit Grazie—graceful, gracefully; easy
- larghetto—slow, but a bit faster than largo
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.