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Ludwig van Beethoven

Ludwig van Beethoven (1770-1827)

Nationality: German
Baptized: December 17, 1770, Bonn Died: March 26, 1827, Vienna (age 56)
wikipedia | imslp

Flute Sonata in B-flat major, Op. Anhang 4

(for flute and piano)
7:47 I. Allegro
3:49 II. Polonaise
4:49 III. Largo
5:54 IV. Tema con variazoni. Allegretto
Duration: 22 minutes (approximately)
Composed: c. 1790-1792 (age 19-22)
Published: 1906
Note: authenticity uncertain
2 recordings, 8 videos
autoopen autoplay
6:30
Jean-Pierre Rampal, Robert Veyron-Lacroix
I. Allegro
3:46
Jean-Pierre Rampal, Robert Veyron-Lacroix
II. Polonaise
5:15
Jean-Pierre Rampal, Robert Veyron-Lacroix
III. Largo
5:39
Jean-Pierre Rampal, Robert Veyron-Lacroix
IV. Tema con variazoni. Allegretto
9:25
Emmanuel Pahud, Eric Lesage
I. Allegro
3:52
Emmanuel Pahud, Eric Lesage
II. Polonaise
4:22
Emmanuel Pahud, Eric Lesage
III. Largo
6:09
Emmanuel Pahud, Eric Lesage
IV. Tema con variazoni. Allegretto

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glossary

  • allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • con [I,S]—with
  • duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
  • largo—slow, solemn, sustained.slower than lento. faster than grave
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • Polonaise [F], Polonese [I], Polacca [I], Polaca, alla polacca, Polones—a dance of Polish origin in a moderate triple meter (3/4) typically with a characteristic rhythm (subdivisions of the beat with a flourish in the 2nd half of the 1st beat) and an energetic momentum.
  • sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
  • tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
  • theme, tema [I], Thema [G]—a complete and recognizable musical entity (e.g. melody) used as the basis for elaboration (e.g. variations, sontata, fugue, etc.). Also called a subject. Motif (motive) is generally a smaller fragmentary entity.
  • variation, variazione, variatio, variato, variata—a modified re-iteration of a previous theme, reprise, couplet, etc. The music is varied, embellished or creatively transformed for variety while maintaining a unity relationship with the original. See "Theme and Variations."