Luigi Boccherini

Luigi Boccherini (1743-1805)

Nationality: Italian | Spanish
Born: February 19, 1743, Lucca Died: May 28, 1805, Madrid (age 62)
wikipedia | imslp

Cello Sonata in F major, G.579

(for cello and continuo)
4:38 I. Allegro
5:03 II. Largo cantabile
4:00 III. Allegretto assai
Duration: 14 minutes (approximately)
1 recording, 3 videos
autoopen autoplay
4:38
Gaetano Nasillo, et. al.
I. Allegro
5:03
Gaetano Nasillo, et. al.
II. Largo cantabile
4:00
Gaetano Nasillo, et. al.
III. Allegretto assai

Related Composers

Giovanni Battista Costanzi
Giovanni Battista Costanzi (1704-1778)
Teacher
Nationality: Italian
Born: September 3, 1704, Rome Died: March 5, 1778, Rome (age 73)

glossary

  • allegretto—moderately quick tempo. slower than allegro but faster than andante
  • allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
  • assai—very much. Intensifies the direction of its neighboring words, e.g. "allegro assai", very fast
  • cantabile, cantate, cantando—singing, lyrical, flowing
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
  • largo—slow, solemn, sustained.slower than lento. faster than grave
  • sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.