Luigi Boccherini (1743-1805)

Nationality: Italian | Spanish

Born: February 19, 1743, Lucca Died: May 28, 1805, Madrid (age 62)

wikipedia | imslp

Guitar Quintet No. 5 in D major, G.449

(for guitar, 2 violins, viola and cello)

		I.	Andantino pausato
		II.	Minuetto. Allegro
		III.	Allegro giusto
		IV.	Andantino pausato con variazioni - Allegro giusto

Duration: 20 minutes (approximately)

Composed: 1798 (age 54-55)

Related Composers

Giovanni Battista Costanzi (1704-1778)

Teacher

Nationality: Italian

Born: September 3, 1704, Rome Died: March 5, 1778, Rome (age 73)

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
giusto—just, right, strict, exact, true
minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
quintet, quintette [F], quintett [G], quintetto [I]—an ensemble / work for 5 players, the typical examples being string quintet (with second viola or cello), piano quintet or woodwind quintet
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
transcription, transcribe—To re-score a work for an ensemble of instruments different from the original version. Typical examples include orchestrating piano or chamber works and visa versa. Within the realm of chamber music, a work for winds might be transcribed for strings, a symphony into a string quartet, a trio featuring a clarinet substituting a viola. One interesting question is: who made the transcription, the original composer? One interesting effect is that the transcription may become favored over the original. One of the most curious transcriptions in all of chamber music is Schoenberg's "Verklärte Nacht", transcribed from string sextet to piano trio with amazing success by one of his students.