Luigi Boccherini

Luigi Boccherini (1743-1805)

Nationality: Italian | Spanish
Born: February 19, 1743, Lucca Died: May 28, 1805, Madrid (age 62)
wikipedia | imslp

Piano Quintet in B-flat major, Op. 57, No. 2, G.414

(for 2 violins, viola, cello and piano)
8:38 I. Allegro moderato
4:07 II. Minuetto. Tempo giusto
5:15 III. Adagio
6:42 IV. Finale. Allegro un poco vivace
Duration: 25 minutes (approximately)
Composed: 1799 (age 55-56)
2 recordings, 5 videos
autoopen autoplay
8:38
Ensemble Claviere
I. Allegro moderato
4:07
Ensemble Claviere
II. Minuetto. Tempo giusto
5:15
Ensemble Claviere
III. Adagio
6:42
Ensemble Claviere
IV. Finale. Allegro un poco vivace
24:40
Ensemble Claviere (complete)

Related Composers

Giovanni Battista Costanzi
Giovanni Battista Costanzi (1704-1778)
Teacher
Nationality: Italian
Born: September 3, 1704, Rome Died: March 5, 1778, Rome (age 73)

glossary

  • adagio [It]—slow tempo, often implying a lyrical, poignant character
  • allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • finale [I], final [F]—The final movement, sometimes explicitly titled thus
  • giusto—just, right, strict, exact, true
  • minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
  • moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • piano quintet—ensemble (work) for string quartet plus piano. One of the most grand chamber music forms. For an extra rich sound, some piano quintets omit the 2nd violin and add a bass comprising the complete four-part string section of the orchestra.
  • poco, un poco, poco a poco—a little bit, e.g. "andante un poco moto" is andante with a little more motion than typical. "poco a poco" means a little bit at a time, gradually.
  • quintet, quintette [F], quintett [G], quintetto [I]—an ensemble / work for 5 players, the typical examples being string quintet (with second viola or cello), piano quintet or woodwind quintet
  • tempo, tempi [pl]—speed or pace at which music progresses. Traditional classic music typically uses standard Italian words to designate the tempo, e.g. Allegro or adagio. Metronome markings provide precise numerical speeds. Tempo selection during performance is a complex artistic choice informed by composer's markings, performance tradition, technical limitations and interpretation.
  • vivace—brisk, lively tempo faster than allegro