Luigi Boccherini (1743-1805)

Nationality: Italian | Spanish

Born: February 19, 1743, Lucca Died: May 28, 1805, Madrid (age 62)

wikipedia | imslp

Violin Sonata in D major, Op. 5, No. 4, G.28

(for violin and piano)

5:56	I.	Andante
5:56	II.	Allegro assai
5:08	III.	Rondo. Allegretto

Duration: 13 minutes (approximately)

Composed: 1768 (age 24-25)

Published: 1769 (age 25-26)

2 recordings, 4 videos

autoopen autoplay

5:56

Liana Mosca, Pierre Goy

I. Andante

5:56

Liana Mosca, Pierre Goy

II. Allegro assai

5:08

Liana Mosca, Pierre Goy

III. Rondo. Allegretto

13:28

Fornaciari, Barontini

Related Composers

Giovanni Battista Costanzi (1704-1778)

Teacher

Nationality: Italian

Born: September 3, 1704, Rome Died: March 5, 1778, Rome (age 73)

glossary

allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
assai—very much. Intensifies the direction of its neighboring words, e.g. "allegro assai", very fast
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.