Margarethe Danzi (1768-1800)
Nationality:
German
Born: 1768, Frankfurt Died: June 11, 1800, Munich (age 32)
Sonata in E major, Op. 1, No. 3
(for piano and violin)
| 7:25 | I. | Allegro moderato | |
| 4:06 | II. | Andante quasi Allegretto | |
| 5:49 | III. | Allegretto |
Duration: 17 minutes (approximately)
Published:
1801
1 recording,
3 videos
autoopen
autoplay
7:25
Vaughan Schlepp, Antoinette Lohmann
I.
Allegro moderato
4:06
Vaughan Schlepp, Antoinette Lohmann
II.
Andante quasi Allegretto
5:49
Vaughan Schlepp, Antoinette Lohmann
III.
Allegretto
glossary
- accompanied sonata—A unique genre of chamber music (c. 1735-1835, Newman) written primarily for keyboard (harpsichord or piano) with optional (ad libitum) or relatively basic (doubling keyboard part or independent but simple parts) "accompaniment" by such instruments as violin, flute, cello, etc. Originally intended for skilled keyboardist optionally joined by Royal, domestic or otherwise amateur players. Often designated by titles like "Sonata en trio" or "en quatuor" with "ad libitum" or inferred by time period and the nature of the parts. Distinguished from older sonatas using basso continuo, those using terms like "obbligato" or "true" chamber music from the Classical era forward.
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- quasi—almost, almost like, as if
- sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki